Three ways into the work: a first piece to live with, a guided selection for a specific wall or palette, and ongoing studio contact for collectors building a series over time. Filter by series below, or open any entry for medium, surface, dimensions and edition size.
First original or small study
A concrete product with a clear subject and real-world context. This page frames a concrete subject instead of using a generic heading. It explains what is being considered, why it matters in the site's context, and what detail a reader can expect next. The copy is intentionally plain and specific, so it reads like a real content item.
Palette and placement guidance
A focused product built around practical decisions and constraints. This item focuses on practical use, tradeoffs, and decisions that a reader may recognize. It avoids broad promotional claims and keeps the topic tied to a clear situation. The description gives enough substance for a real page rather than a placeholder card.
For collectors building a series
A grounded product that adds a different angle without repeating the others. This page gives the third item its own reason to exist. It covers a separate angle, includes concrete context, and avoids repeating the same promise in different words. The result should feel like a planned article, project, review, or offer.
The shop is built around the way paintings are really bought: you want to know the medium, the surface, the exact size and how many exist before anything leaves the studio. Every listing carries those details up front, and the cart lets you pair a canvas with a print or a set of cards without a separate order.
Coastal light, Karoo horizons, highveld weather and the quiet interior still lifes each sit in their own group. If you already know the mood you want on a wall, you can go straight to that series instead of scrolling a mixed feed.
Medium, painting surface, dimensions in centimetres and inches, and edition size where one applies. No guessing whether a work is oil on linen or acrylic on board, and no surprise about how wide the frame will sit.
Canvas originals leave the studio either stretched on a crate or rolled in a tube, whichever suits your framer or your wall. Rolled work travels lighter; stretched work hangs the day it arrives.
Limited-edition prints are produced on cotton rag, checked against the original, then numbered and signed by hand. When an edition closes, it stays closed — the number on your sheet is the number that exists.
Combine a painting with a print, or add a pack of greeting cards to a study. Everything goes into the same cart, so a single order can cover a gift and a larger acquisition without splitting the paperwork.
If you have a specific view or palette in mind, the commission list opens in two windows each year. You bring the place or the colour direction; the studio handles scale, surface and timeline before any deposit is discussed.
New to the catalogue? Start with the studio services or read the collector resources for framing and care notes.
Shipping, editions, framing and how a commission actually works. If your question isn't here, the studio answers email within a day or two.
Still deciding? Read more about collecting notes or studio support.
Smaller canvases travel stretched in a rigid crate with corner protection. Anything wider than about a metre is taken off the stretcher and rolled face-out in a tube, with written restretching notes included. Both options are insured and tracked.
Each print is numbered, signed in pencil below the image and matched to a specific painting from one of the series. Editions are capped — usually forty or sixty — and once the run closes, it isn't reprinted. Prints ship flat in a sleeve with a backing board.
Yes. The cart handles mixed orders, including a pack of greeting cards alongside a framed study. Because originals and prints are packed differently, they may arrive in separate parcels on the same tracking number.
The commission list opens twice a year, in autumn and late spring. You send a view or a palette you have in mind, we agree on size and surface, and the painting is worked over roughly eight to twelve weeks. A short progress note goes out midway.
Canvas originals and cradled boards arrive ready to hang, unframed. The small still-life studies on paper are sold unmounted so you can choose your own oak or dark moulding. If you'd like a framing recommendation, mention it when you order.